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Hirda is a warm, affectionate and delightful ode to Shetland that enraptured the audience, nearly brought the house down from the immense and sustained applause, and deserves a place in the cultural pantheon of the isles.”

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Alex Garrick-Wright, The Shetland Times

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“Glasgow company NOISE aim to create nimble opera for new audiences. Hirda was as accessible as it was intended to be.”

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Kate Molleson, The Guardian

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“There is a strange magic to Hirda, a beguiling adventure across classical and folk boundaries. The haunting blend of the voices and the music is still ringing in my head.”

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David Smythe, Bachtrack

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“this brand new opera feels like it’s got true Shetland blood pulsing fiercely through its veins”


“soaring, heartstring-pulling music, enormously powerful in conveying the opera’s intense emotions.”
 
David Kettle, The Scotsman

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“Tilts at contemporary Scottish opera are not exactly uncommon, but this NOISE company commission from a composing team of Chris Stout and Gareth Williams with a libretto by Sian Evans sets and meets its own high standards.”

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“Stout and Williams have combined their talents in a style that sets a benchmark for traditional and classical collaboration.”

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Keith Bruce, Herald Scotland

“unites Scottish folk music and Shetland dialect with the classical forces of chamber opera, making for a potent brew.”

“Hirda deserves to go places.”

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Andrew Clark, Opera Magazine

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